A
visit to Western New York and Southern Ontario brings you straight to the heart
of the social and cultural ferment of the mid-to-late 19th and early 20th centuries.
The stories of the Underground Railroad, Women's Rights, the Chautauqua Movement,
the Niagara Movement, the Arts and Crafts Movement and the development of modern
architecture were all written, in no small part, right here.
Here
amongst the shadows of Forts Erie, Niagara, and George, the architectural masterpieces
of Wright, Richardson,and Sullivan, and world-class assets of the Shaw Festival,
Albright-Knox, and the Buffalo Philharmonic lies a vast cultural heritage treasure
trove.
Western New York and Southern Ontario share a river, the falls, a border, and
binational cultural experience simply waiting for the world to view in its glorious
entirety.
For
years, legions of honorable people have waxed poetic about the overwhelming benefits
of viewing and branding this region as a whole. There have been grants, steering
committees, project management teams, outside consultants, hundreds of stakeholders,
and a dozen or so conferences and symposiums. Yet to this day, marketing efforts
still stop at the waters edge, or only last one weekend per year.
CulturalNiagara.com
is an effort to break this log jam with a simply built marketing tool that equally
embraces every cultural asset on both sides of the border.
This
website is based on a total inclusion model. It only makes sense that for a website
to be used, it must first be usable. Our goal is to create a comprehensive reference
tool that will best serve the reader. Correctly executed, the benefits to the
the individual properties and the cultural community should naturally follow.
The
formula is simple. We seek to:
visually capture a readers imagination and demonstrate in one place, the vast
scope of our of binational assets
provide simple, individual property
descriptions and information
connect property information and events
with a comprehensive calendar and interactive map
utilize basic branding
techniques
This
is a humble first cut of a project that is specifically designed to be improved
upon.
The
goal was to create an active dialog on how a tool like this can be made better,
rather than how can we get a website like this started. In its infancy, it is
little more than a painters canvas stripped of the anxiety of its overwhelming
whiteness.
At
our table, input is not only welcomed, it is highly encouraged. Please pull up
a chair and have a seat.
Mark
D. Donnelly, Ph.D
Publisher@culturalniagara.com
716-833-7255